School for American Crafts - Rochester Institute of Technology
73 Lomb Memorial Drive, Rochester, New York 14623
office: 585 475 6114 home: 585 368 8096 fax: 585 475 6447 email: jmgsac@rit.edu

Employment
2005 - present: Department Chair, School for American Crafts, Ceramics Department
College of Imaging Arts and Sciences, Rochester Institute of Technology, Rochester, NY
1999 - present: Associate Professor, School for American Crafts, Ceramics Department
College of Imaging Arts and Sciences, Rochester Institute of Technology, Rochester, NY

Solo Exhibitions
2008
Wake Robin - Harvey Meadows Gallery, Aspen, CO
2007
Homage to Audubon - The Washington Street Gallery, Lewisburg, WV
2006
The Cups of Hours - The Clay Studio, Philadelphia, PA
New Work - AKAR Gallery, Iowa City, IA
2005
Dulcis Domus - Trax Gallery, Berkeley, CA
2004
43N by 77W - Pewabic Pottery, Detroit, MI
The Solace of Urban Spaces - Greenwich House Pottery, Manhattan, NY
Crepuscular - Lillstreet Art Center, Chicago, IL
2003
Gilded - Santa Fe Clay, Santa Fe, NM
New Work - Huntington Museum of Art, Huntington, WV

Publications
Books:
Craft in America: Celebrating Two Centuries of Artist and Objects, by Jo Lauria and Steve Fenton, Random House
The Ceramic Surface, by Matthias Osterman, A & C Black Publishing
Ceramics: Mastering the Craft, by Richard Zakin, Kranse Publishing
The Ceramic Continuum, - Archie Bray Foundation
The Art of Contemporary Pottery, by Kevin Hulch, Krause Publication
The Ceramic Spectrum, by Robin Hopper, Krause Publications
Pots in the Kitchen, by Josie Walter, Crowood Press

Periodicals:
“Field Guide for Ceramic Artisans” Studio Potter, February 2008
“Reflecting for the future” Studio Potter, June 2005
“Crepuscular - Recent Work of Julia Galloway”, Ceramics Monthly, September 2004
“Creativity in Rochester”, The Democrat and Chronicle, by Jim Memmott, 2004
“Beneath The Surface: Julia Galloway, Part I and II”, Clay Times, by Lana Wilson, 2004
“Pottery of Extremes”, Art and Perception, December 2000

Collections
The Long Beach Museum of Art.
Renwick Gallery, Smithsonian Museum, Washington DC
The Huntington Museum of Art, Huntington, WV
Archie Bray Foundation, Helena, MT
The College of William and Mary, The Presidents Collection, Williamsburg, VA,
The Clay Art Center, Port Chester, NY
North Central College, Piedmont, IL
The Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada
University of Arkansas, Fayetteville, AR

Professional Experience
Haystack Mountain School of Crafts, 2001-2009, Executive Board Member, Deer Isle, ME
Archie Bray Foundation, 1997-1999, Artist-in-Residence, Helena, MT
Anderson Ranch Arts Center, 1995-1996, Artist-in-Residence, Snowmass Village, CO
University of Colorado, 1992, Studio Technician, Boulder, CO

Education
University of Colorado at Boulder, M.F.A. - 1995
Nova Scotia College of Art and Design, Visiting Scholar Program - 1994
Massachusetts College of Art, Fifth Year Student - 1992
New York State College of Ceramics at Alfred University, B.F.A. - 1988

Group Exhibitions
2007
Earth and Fire: A Celebration of clay and Ceramics - Albany Institute of History and Art, Albany NY
100 Teapots III - (exhibitor and curator) Baltimore Clayworks, Baltimore, MD
James Renwick Annual Exhibition - Smithsonian Museum, Washington, DC
LA Mesa III - NCECA 2007, Louisville, KY
Opposites Attract - Baltimore Clayworks, Baltimore, MD
Bourbon Bottles in the Blue Grass - NCECA 2007, Louisville, KY
WKU Invitational - Western Kentucky University, Bowling Green, KY
Emerging Artist and Invitational - Mad About Art Gallery, Louisville, KY
Pottery and Technology - Prima Gallery, Bloomington, IN
Dinnerworks - Louisville Visual Arts Center, Louisville, KY
37th Annual Arts Exhibition - University of Wisconsin, Whitewater, WI
Ladies in White: Ladies who work in Porcelain - Goodall Gallery, Louisville, KY
Extraordinary Forms - Kenan Center of Arts and Education, Buffalo, NY
Annual Exhibition and Auction - Archie Bray Foundation for the Ceramics Arts, Helena, MT
Made in Clay - Greenwich House Pottery, New York, NY
Raise a Cup for Art - Shelburn Art Center, Shelburn, VT
Cityscale / Landscape - The Clay Studio, Philadelphia, PA
Cups Coming Together - The Clay Arts Center, Port Chester, NY
Tabletops - Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ
Contemporary Ceramics - The Washington Street Gallery, Lewisburg, WV
Pitchers and Pouring Pottery - University of North Carolina, Chapel Hill, NC
Summer Exhibition and Auction - Haystack Mountain School for Crafts, Deer Isle, ME
Vessel Invitational - Red Lodge Clay Center, Red Lodge, MT
Summer Exhibition - Dow Gallery, Deer Isle, ME
Botanical - Santa Fe Clay, Santa Fe, NM
Intimate Vessel - Tai Sophia Institute, Laurel, MD

Lectures and Workshops
2007
Chautauqua School of Art - "Making Pottery", Chautauqua, NY
Thinking About Making - "Visiting Artist", Claymakers, Durham, NC
Florida Atlantic University - "Visiting Artist", Boca Raton, FL
Callananwolde Arts Center - Making Pottery, Form and Surface, Visiting Artist, Atlanta, GA
Baltimore Clayworks - "Visiting Artist and Curator", Baltimore, MD
Red Rocks College - "Surface Decoration and Soda Fire" Denver, CO
92 Street Y - "Celebration through Pottery - Visiting Artist", New York, NY

Brief Biography
Julia Galloway is a utilitarian potter and professor. She was raised in Boston, Massachusetts and still considers herself a damn Yankee. Julia begin making pottery in high school on account of a quiet classroom, an innate hand eye skill, a love of beautiful objects, and support from a dedicated professor, Mr. Ed Lane. She bought her first pottery wheel with her babysitting money and threw pots in her bedroom until she went to college. Currently Julia lives in Rochester New York. There she has a studio space and living in loft in an old warehouse that she shares with an old German Shepard, Layla. Julia also has interest in urban gardening, the study of John James Audubon watercolors, the world history of pottery and a love of words she inherited from her mother. Having made utilitarian pottery for the past 25 year, she has now come to understand the world through the making of objects and value labor, the love of community and objects of beauty.